Vastu / Astrology


Vaastu Shastra
 
(Vaastu - physical environment and Shastra- knowledge/ text/ principles. The 't' in both the words is dental. Also spelled Vastu) is one of the traditional Hindu canons of town planning and architecture. These canons are codified in texts such as Manasara Silpa Shastra (by Manasara), Mayamatam (by Maya), Viswakarma Vaastushastra (by Viswakarma), Samarangana Sutradara (by Raja Bhoja), Aparajita Praccha (by Viswakarma's son Aparajita) and Silparatna. Other treatises such as Agni Purana and works by Kautilya and Sukracharya are not popular even though they preceded the previously mentioned documents. Distinction of style exists due to each documents place of origin. Mayamata and Mansara Silpa Shastra are considered Dravidian because they are from south India whereas Viswaskarama Vaastu Shastra is considered Aryan due to its north Indian origin. Vaastu Shastra deals with various aspects of designing and building living environments that are in harmony with the physical and metaphysical forces/ energies of the cosmos such as the gravitational, electromagnetic and supernatural. Building practices based on limited interpretations of these principles are still sustained in specific areas of India.
 
Though Vastu is conceptually similar to Feng Shui in that it also tries to harmonize the flow of energy (Also called Life-force, and Prana in Sanskrit, similar to Chi in Chinese) through the house, it differs in the details, such as the exact directions in which various objects, rooms, materials etc are to be placed.
 
Components of Vaastu Shastra
 
All places of dwelling are termed Vastu however the actual physical manifestation of the dwelling is called Vaastu. There are four categories of Vaastu-
 
   The earth/ site- Bhoomi, the principal dwelling place on which everything else rests
   The structures on the earth - Prasada
   Movable objects (vehicles) - Yaana
   Furniture- Sayana
 
As these categories suggest, the principles of Vaastu Shastra extend from the macro level to the micro level- site selection, site planning and orientation, zoning and disposition of rooms, proportional relationships between the various parts of buildings and the character of buildings.
 
Vaastu Purusha Mandala
 
The Vaastu Purusha Mandala is an indispensable part of Vaastu Shastra and constitutes the mathematical and diagrammatic basis for generating design. Purusha refers to energy, power, soul or cosmic man. Mandala is the generic name for any plan/ chart, which represents the cosmos metaphysically/ symbolically, a microcosm of the universe.
 
In Hindu cosmology the surface of the earth is represented as a square, the most fundamental of all Hindu forms. The earth is represented as four cornered with reference to the horizon's relationship with sunrise and sunset, the North and South direction. It is called Chaturbhuji- four cornered- and represented in the symbolic form of the Prithvi Mandala. The astrological charts or horoscopes(Rasi, Navamsa, etc.,) also represent in a square plan the ecliptic- the positions of the sun, moon, planets and zodiacal constellations with reference to a specific person's place and time of birth.
 
The Vaastu Purusha Mandala is a specific type of mandala used in Vaastu Shastra. It is the metaphysical plan of a building/temple/site that incorporates the course of the heavenly bodies and supernatural forces.
 
The legend of the Vaastu Purusha is related thus. Once a formless being blocked the heaven from the earth and Brahma with many other Gods trapped him to the ground. This incident is depicted graphically in the Vaastu Purusha Mandala with portions allocated hierarchically to each God based on the contributions and positions in performing this act. Brahma occupied the central portion - the Brahmasthana- and other Gods were distributed around in a concentric pattern. There are 45 Gods in all including 32 outer Gods.
 
The principal Gods/ presiding deities of each direction (called the ashtadikpalar) are:
 
  Northeast- Eeshanya- Ruled by Lord of all quarters or Eeshwara Siva (Religions,Luck and Faith) 
 
  East- Aditya- Ruled by Sun God - Aditya (Seeing the world) 
 
  Southeast- Agni- Ruled by Lord of Fire - Agni (Energy Generating) 
 
  South- Yama- Ruled by Lord of Death - Yama (Damaging) 
 
  Southwest- Pitru- Ruled by ancestors (History) 
 
  West- Varuna- Ruled by Lord of water (Physical) 
 
  Northwest- Vayu- ruled by Lord Of Winds (Advertisement) 
 
  North- Kubera- Ruled by Lord of Wealth (Finance) 
 
  Centre- Brahma- Ruled by Lord/Creator of the Universe (Desire)
 
The Vaastu Purusha is the presiding deity of any site. Usually he is depicted as lying on it with the head in the Northeast and the legs in the Southwest but he keeps changing his position throughout the year.
 
Pitha Mandala Mahapitha Mandala
 
Mandala types and properties
 
The form of the Vaastu Purusha Mandala is basically a square but there are various types of mandalas depending on the way in which the basic square is divided. In each case, the square is subdivided into smaller squares by lines running parallel/ perpendicular to the sides. Each side of the square can be divided from 1 to 32 divisions. Thus, the number of squares in the Vaastu Purusha Mandala may vary from 12 to 322, i.e from 1, 4, 16, 25 and so on to 1024. Each of these mandalas has a distinct name and is used in specific contexts.
 
As mentioned earlier, the central area in all mandalas is the Brahmasthana. The space occupied by it varies in different mandalas-in Pitha (9) and Upapitha (25) it occupies one square module, in Mahaapitha (16), Ugrapitha (36) and Manduka (64), four square modules and in Sthandila (49) and Paramasaayika (81), nine square modules. The Pitha is an amplified Prithvimandala in which, according to some texts, the central space is occupied by earth. The Sthandila mandala is used in a concentric manner.
 
The most important mandalas are the Manduka/ Chandita Mandala of 64 squares and the Paramasaayika Mandala of 81 squares- especially the former. The normal position of the Vaastu Purusha- head in Northeast, legs in Southwest- is as depicted in the Paramasaayika Mandala. However, in the Manduka Mandala the Vaastu Purusha is depicted with head towards East and feet towards West.
 
An important er of squares, or ayugma, its centre is constituted by one module or pada and when divided into an even number of squares or yugma, its centre is constituted by a point formed by the intersection of the two perpendicular central lines. In spatial terms, the former is sakala or manifest/ morphic and the latter is nishkala or unmanifest/ amorphous.
 
Mandala in site planning and architecture
 
The mandala being a metaphysical plan is put to use in site planning and architecture through a process called the Pada Vinyasa. Pada Vinyasa is a method whereby any site can be divided into uniform grids/modules or padas. Depending on the position of the Gods occupying the various modules, the zoning of the site and disposition of functions in a building are arrived at.
 
Mandalas have certain points known as marmas which are vital and vulnerable energy spots on which nothing should be built. They are determined by certain proportional relationships of the squares and the diagonals.
 
Mandala and site
 
A site of any shape can be divided using the Pada Vinyasa. Sites are known by the number of divisions on each side. the types of mandalas with the corresponding names of sites is given below.
 
  Sakala(1 square)corresponds to Eka-pada (single divided site) 
 
  Pechaka(4 squares) corresponds to Dwi-pada (two divided site) 
 
  Pitha(9 squares) corresponds to Tri-pada (three divided site) 
 
  Mahaapitha(16 squares) corresponds to Chatush-pada (four divided site) 
 
  Upapitha(25 squares) corresponds to Pancha-pada (five divided site) 
 
  Ugrapitha(36 squares) corresponds to Shashtha-pada (six divided site) 
 
  Sthandila(49 squares) corresponds to sapta-pada (seven divided site) 
 
  Manduka/ Chandita(64 square) corresponds to Ashta-pada (eight divided site) 
 
  Paramasaayika(81 squares) corresponds to Nava-pada (nine divided site) 
 
  Aasana(100 squares) corresponds to Dasa-pada (ten divided site) 
 
Mandala and building
 
The concept of sakala and nishkala are applied in buildings appropriately.
 
In temples, the concepts of sakala and nishkala are related to the two aspects of the Hindu idea of god/ worship - Sagunopaasana, the supreme as personal God with attributes and Nirgunopaasana, the supreme as absolute spirit unconditioned by attributes. Correspondingly, the Sakala, complete in itself, is used for shrines of gods with form- sakalamoorthy- and to perform yajnas. However the Nishkala is used for installation of idols without form- nishkalamoorthy- and for auspicious, pure performances. The amorphous centre is considered beneficial to the worshippers, being a source of great energy. This could also be used for settlements.
 
In commercial buildings, only odd number of modules are prescribed as the nishkala or amorphous centre would cause too high a concentration of energy for human occupants. Even here, the Brahmasthana is left unbuilt with rooms organised around.
 
In accordance with the position occupied by the Gods in the mandala, guidelines are given for zoning of site and distribution of rooms in a building. Some of these are northeast should house the pooja room, east- bathroom, southeast- kitchen, south- bedroom, southwest- armoury, west- dining, northwest- cowshed, north- treasury.
 
Aspects of environment and energy
 
Vaastu Shastra describes various criteria which determine the choice of a site. The most exalted shape for a site is square, however rectangle is also acceptable. It explains about soil examination or Bhu- Pariksha. One particular test involves the digging of a hole and refilling it again with the dug soil. Based on the volume occupied by this soil in the pit, its characteristics are determined. A gnomon is used in determining the orientation, this practice is called Sanku Sthaapanam. Vaastu Shastra also prescribes sites suitable for different castes.
 
Vaastu Shastra prescribes desirable characteristics for sites and buildings based on flow of energy. Many of the rules are attributed to cosmological considerations - the sun's path, the rotation of the earth, magnetic field, etc., The morning sun is considered especially beneficial and purifying and hence the East is a treasured direction. The body is considered a magnet with the head, the heaviest and most important part, being considered the North Pole and the feet the South pole. Hence sleeping with one's head in the North is believed to cause a repulsive force with the earth's magnetic North and thus considered harmful. Bedrooms are therefore designed keeping this in mind. This is a wide spread practice in India even today.
 
Energy is primarily considered as emanating from the Northeast corner and many site and building characteristics are derived from this. Sites sloping down towards North or East from higher levels of South and West are considered good. Open spaces in site and openings in the building are to be more in the North and East than in the South and the West. No obstacles are to be present in the North and the East. Levels and height of buildings are to be higher in the South and West when compared to the North and East.The Southwest corner is to be the highest, followed by Southeast, then by Northwest and finally by Northeast. The triangle formed by joining the Southwest, Southeast and the Northwest corner of the site is attributed to the moon and the triangle formed by joining the Northeast, Northwest and Southeast corner of the site is attributed to the sun. The former are prescribed to be heavier and higher and the latter light and lower. Sites having a longer East- West axis are considered better. The diagonal connecting Southwest and Northeast is to be longer than the diagonal connecting Southeast and Northwest. An extended Northeast corner is considered beneficial.
 
Other aspects of buildings
 
There are many other principles in Vaastu Shastra, to mention a few which involve certain mathematical calculations -Maana for proportional relationships in a building and Aayaadi which specify conditions for maximum wellbeing and benefits for the residents of a building.
 
Conclusion
 
Vaastu Shastra evolved as a compilation of planning principles for a healthy living based on the knowledge base of the time (similar to Western treatises such as Vitruvius') and was not meant to be absolute. Its current popularity stems from its focus on a wholesome approach to space and form. Vastu was earlier used in the design of Hindu homes, but became less prominent in the industrialization period during and following the colonial British Raj. But it is used extensively in temple design, and so survived in the clans of temple designers and architects. In recent years, it has again gained mainstream popularity, and there are several Vastu 'consultants' in India, some dubious, some genuine.
 
One of the leading lights in this renewal is the famed temple architect Ganapathi Sthapati, of the ancient clan of temple architects and sculptors.
 
Basic Principles Of Vaastu
 
The following are some of the Vastu-logically correct principles of house making and design. Please note that like most of the ancient sciences, some of the knowledge that is contained in these principles may not be any more relevant at present times. However, the very basic of Vastu principles will always continue to be beneficial to the mankind in one form or the other.
 
The basic principles are :
 
If you are in the process of buying a plot or site, please remember that plots/sites in South West, South & West directions are more advantageous than others.
According to Vaastu, the most beneficial entrances in the house are those in North East, East or North direction.
Living Room or the dining room is best looked in East, North & Northeast directions.
The bedroom according to Vaastu should be in southwest/south or west direction.
 
The children’s bedroom should ideally be in NorthWest. It could be in Southeast & North as well but never in southwest or south.
 
If you are fortunate enough in present times to have the luxury of having a separate room for the guests, make the guestroom in Northwest or northeast direction.
 
The kitchen of the house is ideally located in Southeast followed by NorthWest & East.
 
Bathrooms & Toilets should be in Northwest of the house or in West or South direction.
 
While purchasing a plot or a site, it is advisable to go in for a rectangular or square shape. As far as possible, the site should be slopping towards North & East or Northeast.
 
While making the building or the house, it is advisable to have equal open space on all four sides. The levels of open spaces should be higher in South & West side and lower in North & East side. Outlets of rainwater should be in
Northeast or North zones.
 
The living room of the central zone (Brahmasthan) should be free from any kind of obstructions. By obstructions, we mean any kind of beam, pillar, fixture, toilet, staircase or even a wall or lift.
 
The direction in which you sleep is also very important. One should never sleep with head in the north. Sleeping with head towards south ensures long life. While on a journey, it is advisable to sleep with head towards west.
 
In your studyroom, have your seat so as to face east or north. Do not have a toilet in the studyroom, though you can have a bathroom.
 
Do not use a dark colour in the study room. Use yellow or white or pink. Put the book shelf in east or north.
 
If you construct more than a floor, prepare the first floor on Southwest. The height of first floor shall not exceed that of ground floor. Do not build a storeroom on first floor.
 
It is said that a storeroom in the Northwest corner leads to abundant supply of essential commodities. Keep a holy picture on one eastern wall. Light colours should not be used on the storeroom. Use dark colours or blue or green. Never sleep in the storeroom at night. Also refrain from taking out grains from the storeroom in night.
 
The bathroom/bathrooms can be either inside or outside the house. In case it is inside, it should be located on the eastern or northern side. (If attached to a bedroom, then to eastern or northern side of the bedroom). When located outside, then it should be in Northeast corner, but away from the main building.The lavatories are forbidden in Northeast, Center, Southwest and West directions of the house.
 
Vaastu Shastra also guides us about what type of plants and trees should be planted around a dwelling unit so as to enjoy their positive properties the most.
 
Vaastu does not prescribe having a Mango, Banana or a Jamun tree very near your house. However Peepal at some distance from the house in West direction is considered auspicious as is Imli in South West of the house.
It is also auspicious to have an Anaar, Ashoka, Chandan, Champa, Chameli,Gulaab , Nariyal & Keshar tree around a house.
 
On the size & shape of the door , Vaastu advises that width of the door should be half of the height of the door. Square doors as also automatic doors should be avoided.
 
The Paintings / Statues in the house are also important. One should not have pictures depicting war scenes (even if they belong to the Epic Mahabharata or Ramayan battles). Similiarly scenes depicting negativities of life like sorrow , struggle , violence (including that of wild beasts), tragedy and of calamities.
 
The Basics
 
Vastu is the science of direction that combines all the five elements of nature and balance them with the man and the material. Vastu Shastra is creating a congenial settings or a place to live or work, in most scientific way taking advantages of the benefits bestowed by the five elements called 'Paanchbhootas' of the nature thereby paving the way for enhanced health, wealth, prosperity and happiness in an enlightened environment.
 
The world comprises of five basic elements, also known as the Paanchbhootas. They are Earth, Water, Air, Fire and Space. Out of the nine planets, our planet has life because of the presence of these five elements.
 
The Directions 
The importance of orientation of a building is not only for saving energy but also to have a better house design, which not only gives comfortable living but also gives good health, prosperity and wealth to the house owners/occupiers and these families. There lies a co-relation between the rotational scenario of the planets and the house design and their different directions with respect of NORTH. The building of any type and its construction meets the purpose if proper orientation has been given using suitable local building material. It increases not only its life span but also improves the condition of occupants. There are instances where buildings are not planned according to required local orientation were lost or deteriorated much faster then the buildings having built with proper studies of orientation.
 
The proper orientation means the proper knowledge of all the eight directions. It is a common knowledge that the direction from where the Sun arises is known as East and where it sets as West and when one faces the East direction, towards one's left is North and towards one's right is South. The corner where two directions meet obviously is more significant since it combines the forces emanating from both the directions. SO in all there are eight directions , North, Northeast, East, Eastsouth, South, Southwest, West, Westnorth. Every direction has its own significance and has its own construction. The basic rules of Vastu Shastra are based on these eight directions.
 
Vastu is essential 
 
Vastu forms the basics of each construction; one must follow Vastu from the initial level i.e. from choosing a plot to shift in the house. Everything should be done according to Vastu principle since Vastu is not merely a word but it is a SCIENCE and a bridge between man and nature.
 
Vastu is followed while choosing a plot, how to choose a plot: the shape, the nature of the soil. When and how to construct a house, how to do the interiors, how to choose colour and when to shift. Vastu is such a deep science that it is a pool of information and one can have any doubts cleared with proper reasoning.
 
Vastu is unique
Vastu is a science that has originated from India. Feng shui is an art of harnessing energies. Though both have a same objective, the benefit of humanity but the principles are very different. I am a strict follower of Vastu as it is originated from India and its based on our culture, traditions, geographical conditions, climatical conditions and everything for India. And fengshui is originated in China and based on their culture and traditions.
 
Make your surroundings a better place to live in.